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The
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The
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Compression


Compression for Beginners Part 5: Vari-Mu
Vari-Mu compression is a fitting place to land in this series, because it pulls together everything you’ve learned so far—control, tone, and feel—but does it in a way that feels almost effortless. If FET compressors are about speed and attitude, optical compressors are about smooth leveling, and VCA compressors are about precision and glue, Vari-Mu compressors live in a more subtle space. They shape dynamics in a way that often feels invisible, yet undeniably impactful. T

Cory Miller
Mar 265 min read


Compression for Beginners Part 4: VCA
VCA compression is where things start to feel structured and controlled in a very deliberate way. If FET compressors bring speed and attitude, and optical compressors bring smoothness and feel, VCA compressors sit in a different lane altogether. They’re about precision, consistency, and control—often across multiple elements at once. This is the type of compression that starts to tie mixes together. A VCA (Voltage Controlled Amplifier) compressor works by using an electri

Cory Miller
Mar 226 min read


Compression for Beginners Part 3: Optical
Optical compression is a natural next step after FET, because it shows the other side of the spectrum. If FET compressors are about speed, edge, and control, optical compressors are about smoothness, tone, and feel. They don’t react as quickly, and they don’t try to. Instead, they move in a way that tends to sound more forgiving and more “musical” right out of the gate. At a technical level, an optical compressor uses a light source and a light-dependent resistor to contr

Cory Miller
Mar 185 min read


Compression for Beginners Part 2: FET
FET compression is where things start to click for a lot of people, because it moves compression out of the purely “technical” category and into something you can actually hear shaping a mix. Up to this point, compression might feel like a tool you use to fix problems—taming peaks, smoothing performances, controlling dynamics. A FET compressor shows you that it can also be a creative decision, one that directly affects tone, energy, and how forward something feels in a recor

Cory Miller
Mar 167 min read


A Beginners Guide to Compression
Compression is one of the most powerful tools in mixing—and also one of the most misunderstood. This is part 1 of a more extensive dive into compression and the various types and styles. This is more of a general overview of compression. Ask ten beginners what a compressor does and you’ll often hear something vague like “it makes things louder.” That’s not quite r ight. At its core, compression is automatic volume control . A compressor reduces the dynamic range of a

Cory Miller
Mar 74 min read
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